Journey Through the Afterlife
Tuesday, September 8th, 2009Copyright © EgyptHasItAll.com
To the Ancient Egyptians death was not the cessation of life but was only a temporary transition or interruption before they enjoyed an eternal existence in the afterlife. This wonderful and mysterious place was every Egyptian’s dream and so the rituals to attaining immortality were the only ticket to being reborn.
Piety to the gods, preservation of the physical form through mummification, provision of statuary and other funerary equipment was as much an integral part of the religion as it ensured a safe journey to the afterlife. So the corpse had to be properly embalmed and entombed in a mastaba before it could live again in the Fields of Yalu and accompany the Sun on its daily ride.
The Egyptians believed that the human consisted of living entities, the “ka”, the “ba”, the “akh”, the “name” and the “shadow”. These elements were necessary to make up a complete personality and had to be sustained and protected from harm to insure that the deceased was successfully integrated into the cosmos and enjoyed immorality in the next life.
To reach a rewarding destination to the afterlife, the deceased had to pass all the tests. But first the process of preserving the body had to be successful, which took 70 days to be completed. Mummification involved removing the internal organs, removing the brain through the nose, and desiccating the body in a mixture of salts called natron. The body was then wrapped in linen with protective amulets inserted between layers and placed in a decorated anthropoid coffin.
The last of the rituals to be performed by the priests on the mummy was called the “Opening of the Mouth.” This ceremony was supposed to magically give the deceased the ability to speak and eat again, and to have full use of his body. After placing the mummy in the sarcophagus, the tomb was sealed.

The deceased then had to wait for the sun god Ra, to come to his tomb. Ra would shine sunlight on the darkness and speak magic words from the Book of the Dead. The Book of the Dead contained a collection of spells, charms, passwords, numbers and magical formulas that aided the deceased safely through the journey of the afterlife. After Ra speaks these words, the mummies throw off their wrappings and Ra takes them to the Afterlife on his barge.
For the deceased to get to the Field of Reeds which was the happy place where the dead enjoy the rewards of the afterlife. The deceased disembarks in Duat (the underworld) and has to get past seven gates before reaching the final destination. The soul of the deceased is lead by the jackel-headed Anubis, god of mummification, into the Hall of Truth, and is brought forward to be judged by Osiris.

The Egyptians believed that the heart not the brain was the place for emotion and thought; it was the record of its owner’s will and intentions. Basically, the heart was the key to the afterlife as during the Weighing of the Heart ceremony, Osiris placed the heart in a scale to be weighed against a feather which represented Ma’at (truth and order).
If the heart did not tip the scale it was deemed worthy and continued on to the Osirian Fields, but if the heart was heavy with sins it was devoured by the demon Ammit (Eater of Hearts) a half dog, half crocodile god, dooming its victim to eternity in Duat. Thoth, the Egyptian god of scribes, wrote down the results. So earning immortality required a sin-free heart and the ability to recite the spells, passwords, and formulae of the Book of the Dead. The loop-hole around this was being buried with a “surrogate” heart to replace the owner’s for the Weighing of the Heart ceremony.

The Egyptians centered their lives on their religion and rituals to finally be rewarded with immortality, but the fear of a “second death” was to be the worst fate imaginable! Not only was it a sorrowful destiny but was considered total oblivion. So to guarantee eternal happiness having a good, honest heart was the most essential element to a safe journey into the Afterlife.
About the Author:
Gawhara Hanem
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Although the cause of his death is still a mystery, Alexander the Great, the Macedonian King and great conqueror, died at the age of 33, on June 10, 323 BC in Babylon (modern Iraq).
Yes the cause of his death was a puzzle but the real enigma was the actual disappearance of Alexander the Great’s mummified body and tomb! No one can claim to have seen this tomb after the end of the 4th century and locating the place where Alexander is buried seems to have become an impossible mission for archeologists.
By which time Ptolemy Lagos, one of Alexander’s generals, had secured the wealthy territory of Egypt for himself, attacked the funerary procession carrying Alexander’s body and redirecting it to Memphis in Egypt, where Alexander was initially buried. It was later moved by Ptolemy II Philadelphos, the son of the first Ptolemy, to Alexandria. After an elaborate ceremony, the body was laid to rest in a Mausoleum called Soma or Sema, an ancient Greek word meaning “dead Body”.
The tomb was eventually closed to the public by Septimus Severus (early third century AD) out of concern for its safety on account of the hoards of tourists who came to visit the site. By the 4th century, the location of Alexander’s tomb was lost. The oblivion lasted until the 19th century, when the Egyptian astronomer Mahmud el-Falaki attempted to locate the tomb. According to El-Falaki the tomb would have been located under the mosque of Prophet Daniel, where he was not allowed to dig. But most archaeologist are convinced that he was buried in Alexandria, the city that he founded in Egypt.
Until today no one can be sure where the tomb of one of the greatest men who changed history lies, but besides Alexandria, there have been claims that he rests in Asia, Macedonia, and the Siwa Oasis. There has even been a wild allegation that Alexander the Great could be buried “down under” in Broome in Western Australia!

















The 1988 Nobel Prize winner for literature, Naguib Mahfouz, is one of the most outstanding novelists in modern Arabic literature. A large number of his novels have been translated into many foreign languages. He was born in 1911 in the old quarter of Cairo, El-Gamaliyya, which has set the stage for many of his novels. For over more than a century, and since his first novel in 1939 he has since written 32 novels an 13 collections of short stories, the most famous being, “El Bedaya Wal Nehaya” (The Beginning and the End) and “The Harafish”. Through his ability to present both a critical view of the very local society to which he belonged, that of modern Cairo, and a more universal perception of the troubles of man in the modern age, Mahfouz has gained this great literary appeal both in the Arab and international world.
Abdel Halim Hafez is among the most popular artists in the Arab world. Not only did he have a magical romantic voice, that entranced the crowds, but they loved him on the big screen too. He was born on the 12 of June 1929, in the small town of Halawat, in the Nile Delta. By the age of 5 both his parents had passed away, so he moved to live with relatives in Cairo, where he graduated from the Academy of Arabic Music in Cairo. Abdel Halim may have recorded many albums, but much of his work is only available from live recordings as he was mainly a live performer, and during the war years he contributed the proceeds of many of his concerts to the Egyptian Government. In March of 1977 he died in London, UK from Bilharzia which he had contracted as a child. It is estimated that the crowd that followed the funeral procession was about 100,000, one of the largest crowds at a funeral ever in Egypt.
Fathy Salama was born in Shobra (Harlem of Cairo) on March 27, 1969. This Grammy (Best Contemporary World Music Album) and BBC Award winner started playing the piano at the age of six and by age thirteen was gigging in Cairo’s clubs. Traveling to Europe and to New York to learn jazz with great artists as Barry Harris, Sun Ra and Pat Patrick, his music creations link together modern music and the music of the Orient. Through his group Sharkiat, Fathy has made many hits in the 80’s and has won two prizes for his film sound tracks for Fallen Angels Paradise and Signs of April.
In 1953, Omar El-Sharif became an over night screen idol with his first role in the Egyptian film, Sira’ Fil Wadi (The Blazing Sun). He first started working in his father’s successful lumber company, then converting to Islam and marring renowned actress Faten Hamama in 1955. He starred in a total of 22 films from 1954-1961, before his first debut in an English language film “Lawrence of Arabia” in 1962. Omar El-Sharif’s best remembered role is David Lean’s “Doctor Zhivago”, where his son Tarek Sharif appeared as Yuri at the age of 8. Omar El-Sharif is fluent in Arabic, English, Greek and French and can also speak some Italian and Turkish. He has been nominated for an Oscar as Best Supporting Actor, and a Golden Globe Award as Best Supporting Actor, Most Promising Newcomer award and in November 2005 was honored with a UNESCO medal in recognition of his significant contributions to world film and cultural diversity.
Umm Kalthum (1904-1975) is one of the most famous Arab singers of the 20th century. She was known for her powerful, pure voice and her moving renditions of both neoclassical and colloquial Egyptian lyrics. After the Egyptian defeat in the Six-Day War (1967), Umm Kulthum toured the Arab world on behalf of Egypt, donating the proceeds from her concerts to the Egyptian government. During her career, Umm Kulthum recorded more than 300 songs and made 6 motion-picture musicals. She became associated with President Gamal Adel Nasser, and in many interviews and avenues to the public she has promoted both the Egyptian and Arab culture.
Youssef Chahine born in 1926 in Alexandria to a Christian family established himself from the start as a director with an independent mind, ready to challenge authority. All his films have adopted some controversy or other, whether it be criticizing U.S foreign policy or Egyptian/ Arab social issues. He has been recognized on the international scene as early as 1951, where he was invited to the Cannes Film Festival and in 1978 won a Silver Bear at Berlin for his film “Alexandria…Why?”. Chahine has also received the 50th Annual Lifetime Achievement Award at the 1997 Cannes Film Festival. He has made more than 40 films, the last “This is Chaos” premiered at the Venice Film Festival in 2007. Chahine died this August at the age of 82 after several weeks in coma.
Since 1942, and in her pursuit of free studies in art Inji Eflaton, participated in the exhibition of the “Art and Freedom Group”. At the time modern Egyptian art, was conformed by bonds of academism and formalism and this was the first society to attempt to free art from its bonds. Starting March 1952, she had her first of 28 solo exhibitions in Egypt and world wide, including Rome, Venice, Paris, Dresden, Warsaw, Moscow, Prague, New Delhi, San Paolo and Kuwait. Inji Eflaton who died in 1989, received from the French Ministry of Culture, in 1986 a medal of merit called “Cavalier of the Arts and Literature”.
Taha Hussein (1898- 1973) was born to a lower middle-class rural family and lost his eye sight at a very early age. His father was keen on giving Taha the best in education, he was among the first to join and graduate with a Ph.D from the, then newly founded university. He received a scholarship to France and was the first Egyptian to obtain a BA from Montpellier University, and then a Ph.D. from the Sorbonne on Ibn Khaldoun (the fourteenth century Arab thinker). Taha Hussein became one of the leaders of the Arab culture renaissance, through his powerful will, craving for knowledge and his ability to challenge the established values.




