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It’s evident that ancient Egyptians cared about how they looked just like the rest of us do today, and of course hair was a major concern to them, just like it is for any one of us today. As everything they did with style and flamboyance, so did their headdress, which too was of major significance to the Egyptians. And elaborate hair styles were not confined to royalty even the working labor class flaunted some very interesting hairdos.

Although hair length was not limited to one gender or other, both men and women adopted a wide range of hair styles, ranging from a shaven head to long flowing locks, which to some archeologists was misleading, so was the fact that individuals with a shaven head were automatically assumed to have held religious office which too proved to be misguiding.

Hair styles have always marked different periods in modern time as fashion statements; this was true over the course of history, as Egyptian hairstyles varied over the ages. Evidence of these styles is provided by surviving wigs, inscriptions, tomb scenes and statuary. During the Old Kingdom, men and women alike kept their hair basically short and simple, although there were variations in style. Young girls wore their hair in a pony-tail, down the center of their back, weighed down with an ornament or metal disc or the end of the tail was curled naturally or encouraged to do so by hair irons, which have been found in excavations.

However, in the New Kingdom women wore their hair long or used wigs. Hair was decorated with flowers and ribbons; a favorite was a lotus blossom. Also used for decoration were coronets and diadems made of gold, turquoise, garnet, and even malachite beads, but poorer people decorated their hair with petals and berries which they used to hold their hair back. Headbands or ivory and metal hairpins were also used to hold the hair in place. But to attach wigs or hair extensions Egyptians sometimes used beads to keep them in place.

Children wore a special hairstyle during ancient Egyptian history, called the “side-lock.” The hair was shaved off except for a long lock of hair left on the side of the head. This was sketched on hieroglyphic as a symbol for depicting a child or a youth. Both girls and boys wore this style until the onset of puberty. Children decorated their hair with amulets of small fish, presumably to protect them from the dangers of the Nile. Children sometimes used hair-rings or clasps.

Priests had to shave every third day because they needed to avoid the danger of lice or any other uncleanness to conduct rituals. They were required to keep their entire body cleanly shaven and that included eyebrows and lashes.

Near El Deir El Bahari in Luxor excavations have revealed a factory for manufacturing wigs out of natural hair or fibers. Besides being popular and worn by men, women and children, with all their variety, they were a headdress worn on special occasions, such as ceremonies and banquets. If the hair was not dark enough, thick enough or plenty enough, Egyptians preferred to flaunt a wig or risk not being beautiful enough to appear in public! As much as washing their hair regularly was a routine for Egyptians, they were very fussy about caring for their wigs! Wigs were usually made from human hair, sheep’s wool or vegetable fibers. The more it looked like real hair, the more expensive it was and the more it was sought after. Of course the ones made completely from human hair were the most expensive and Egyptians used emollients and oils made from vegetable or animal fat to properly care for and make the wigs last longer.

Egyptians loved coloring their hair as much as the next modern-day fashion conscious person, and certainly something had to be done about hiding gray hair, so “henna” was used. The leaves of the henna shrub are used to make the henna paste that produces a red-orange dye that bonds to protein and so was used to dye hands, nails and hair. In fact henna is still used to date for its vibrant red color and its excellent gray-hair coverage.

Although wigs were popular and saved face for men who were balding, the matter was not taken lightly, balding that is. There were many potions and remedies to stimulate hair growth, the most popular being chopped lettuce patches that were applied to balding spots. The things that people do to keep with the fashion goes back beyond time, back to the roots of humanity!

About the Author:
Gawhara Hanem
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About the Author:
Gawhara Hanem
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Egypt Tours

Copyright © EgyptHasItAll.com

In the oldest part of Cairo or Islamic Cairo, the Azhar Park, is like an oasis midst the hustle and bustle of the crowded, dusty yet intriguing city. It presents a spectacular panoramic view over this historic district that has been witness to a rich captivating past. The striking green of the park is a welcome to Cairo that has over exploded with its buildings and inhabitants.

Although the Azhar Park is built in one of the poorest districts of Cairo, Darb el Ahmar is rich with its Islamic art and architecture and its many monuments of domes and minarets.

The Azhar Park was a gift from his Highness the Aga Khan to the people of Cairo in 1984. The Aga Khan Trust for Culture created the park over 30 hectare (74 acre) following a decision at the “The Expanding Metropolis: Coping with Cairo’s Urban Growth” Conference. The 500-year-old mound of rubble that was designated to be the park was a municipal rubbish dump that took 80,000 truckloads to excavate. The challenge was not only to transform the landscape but was also to implement urban rehabilitation projects including the socioeconomic rehabilitation of the neighboring Historic City, which required launching of numerous restoration and community-initiated development projects. The Azhar Park project was intended to be a case study for a number of challenges such as environmental rehabilitation and cultural restoration.

On the western side of the park are the old Fatimid city and its out-growth Darb el Ahmar, with their wealth of mosques, madrasas and mausolea, characterized by a long line of minarets. To the south is the Sultan Hassan Mosque as well as the 826 year-old Ayyubid Citadel of Salah el-Din. On the eastern side is the “City of the Dead” with its many social welfare complexes that was supported by the Mamluk Sultans which became an area that developed into a densely populated neighborhood of its own.

Uncovered during the excavation was a 1.5-kilometre section of the 12th century Ayyubid city wall of Cairo that was built during the reign of Salah el-Din, with several towers and battlements almost intact and in fairly good shape. Also found were valuable stones with hieroglyphic texts some measuring as much as one meter long that were used in the building of the wall.

The Park’s buildings and spaces were designed and constructed in Islamic context, using a variety of styles from different periods and regions. This is echoed in the bustan-like orchard gardens, its takhtaboush areas (shaded sitting spaces), Fatimid archways used in the buildings and the Persian and Timurid water pools and fountains. The streams and channels all lead to a lake in the south meadow which is all directly fed by raw Nile water from a nearby municipal line.

Beside the orchids, water features, kids play area, amphitheatre, there are only three actual buildings, the entrance, Citadel View Restaurant and the Lakeside Café. There is also an out-door café on a vintage point with a spectacular view where you can witness a stunning sunset. While the Citadel View Restaurant serves an Egyptian truly delicious buffet, the Lakeside café with its wooden screens and citrus groves has a Lebanese cuisine.

With the magnificent 360˚ panoramic view of surrounding Cairo in the distance you can actually catch a glimpse of the Pyramids’ silhouette. But besides the spectacular landscaping and endless view of the Cairo townscape, a daytime stroll on the Royal Palm Promenade is a refreshing experience as water streams run along the middle of your path. There are 325 varieties of plants where most of them have been natively grown in the Park’s nursery. More of the interesting trees are the Sycamore, Zyziphus and four types of Acacia. The variety of plants also includes medicinal and culinary herbs such as laurel, chamomile, mint, lemon grass, coriander and thyme. There is also a beautiful array of roses, climbers and succulents, where most of these plants have labeled signs with both the official and Latin name to identify them.

Although in summer its best to visit the park in the afternoons to escape the heat, on a winter day a morning promenade will revamp your soul! The entrance fee maybe modest but it provides to fund for the maintenance of the park, along with the revenue from the restaurants, special events and shows, car parking fees and the sale of plants from the nursery. The entrance fee may not be much for a large number of Cairo’s residence from the middle and upper class but it may be too much for many of the poor who live just a few kilometers away from the park, and who in my opinion need the park more than anyone. So it is not advisable to visit the park on a public holiday and especially not in Eid (Arabic for “day of festivities“), whether it be a Muslim or Coptic Eid. The park maybe more colorful with children donned in new multicolored Eid cloths but will be impossible to appreciate with all the noise and commotion.

Once you get through with all the obvious sites like the Pyramids, the museums and major mosques I strongly recommend a laid back visit to this intriguing place.

About the Author:
Gawhara Hanem
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Egypt Tours

A long long time ago, some three or four thousand years before our epoch, around the same time every year, the rise in the water on earth was herald by a sign in the heavens. The brightest of all the fixed stars appears at dawn in the east just before sunrise about the time of the summer solstice, indicating the beginning of the sacred Egyptian year. The brilliant star of Sirius or as the Egyptians called it Sothis, marked the time of the inundation of the Nile. Sothis was deemed by the Egyptians as the star of Isis, the goddess of life and love. They called it so because it was believed that as Isis came to mourn her departed husband, Osiris, to wake him up from the dead; her tears caused the rise in the levels of the Nile water.

The flooding of the Nile was the most important event in the lives of the Egyptians. It was a matter of their very existence and welfare. For a year with little or no flood meant famine in the Kingdom, but too large a flood would mean a disaster for it would over flow into the villages destroying them. A flood had to be just right to determine a good season. The Egyptian flood cycle starts during the second week of August and is divided into 3 stages. The time of the Nile flood, Akhet (the inundation) was the first season of the year. The sowing time Peret marked the time when crops grew in the fields and was considered the Egyptian Autumn from October to mid-February. The last and third season, the time of harvest Shemu, ran from mid-February until the end of May and was the spring season of the Egyptian calendar. This cycle was so predictable that the ancient Egyptians based their calendar on it.

As the Nile flow from the south to the north, the flood brought the silt-laden waters into Egypt, and as the water receded later the silt would stay behind, fertilizing the land. The flood was seen as the yearly coming of the god Hapi, bringing fertility to the land. He was worshipped even above Ra as he brought the fertile inundation; he was a very important deity to any one living in the Nile valley. He was depicted as a blue or green bearded man with female breasts, indicating his powers of nourishment. At the time of the inundation the Egyptians would throw offerings, amulets and other sacrifices into the Nile at certain places, sacred to Hapi.

Today’s celebration takes on a different meaning and form. Yes it is still celebrated at the same time of the year but there is no longer flooding of the Nile, which stopped when the Aswan High Dam was built to regulate the flow of water year round. Now this time of the year is called “Wafaa el-neel Festival” or literally “Fidelity of the Nile”. It was said that the Pharaohs sacrificed a beautiful virgin girl to the river in return for a good harvest. The ancient legend has survived into an ongoing tradition where a wooden doll dressed as a bride is thrown into the Nile instead.

The modern-day celebration is now more contemporary with art competitions for children, poetry reading, concerts and scientific discussions. This year there festival will include flower parades and a Pharaonic procession portraying the ancient legend of the Nile Festival. The events included aqua sports like rowing, water skiing, windsurfing and swimming. The celebrations well accommodate floating hotels, restaurants and other places over looking the Nile. This year’s concept is to promote the awareness to protect this vital source of life and a main attraction to Egypt’s ecotourism.

About the Author:
Gawhara Hanem
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Picking up from our previous post about culture houses, we decided to follow with festivals. The festivals range from art and book festivals to fishing and horse festivals.

Of the most popular annual festivals that draw crowds in the millions is the Cairo International Book Fair. The first book fair was held in 1969. The Book Fair takes place in mid January and lasts for two weeks. The Fair is one of the biggest in the Middle East and during the course of the exhibition, there are lectures, seminars and special displays held on the grounds.

The Cairo International Film Festival is also another major international attraction, to be held annually in early December, and has been for the past 26 years. Besides the regular competition the festival includes tributes, controversial films, seminars and appearances by international artists, which over the years have included Matt Dillon, Nicolas Cage, Elizabeth Taylor and Sophia Loren.

The Experimental Theater Festival is held in September at the Cairo Opera House. This festival allows young artists from many parts of the world to present experimental theatrical performances based on freedom of thought, creativity and experimentation. And this years13th Ismailia International Festival for Folk Arts attracted 24 troupes from 17 countries, performing on 9 stages, also proved to be a success.

Cairo holds three international music festivals. During the month of August Cairo hosts the International Song Festival, which attracts not only Arab performers but talent from the international scene. The second being the Arab Music Festival which is held in the Cairo Opera House during the month of November and celebrates a tradition of Arabic music. In its 11th year the festival boasted the live performance of 44 singers during the course of 18 concerts. But the most popular is the Citadel Music Festival held in late July early August. It features beautiful voices like the Algerian Souad Massi and this year witnessed the appearance of the Grammy and BBC Award winner Fathy Salama, among others.

The Arab Horse Festival, which is being held at the moment in El-Sharkya Governarate, on the Cairo-Belbas road, includes competitions for show-jumping, horse beauty and horse manners. Another sure attraction held Mid June at the Mena House Oberoi Hotel, is the annual Belly Dancing Festival. The most recent of festivals which has rapidly gained good reviews is the International Yoga Festival. The last event was themed “the Wonders of the World”, taking participants from the Khufu Pyramid, in Cairo through the Jordan Rift Valley to the lowest point on Earth, the Dead Sea. Still on the agenda is the Health and Beauty Exhibition taking place from the 8-11 this coming October, and the seventh Egyptian Marathon on the 13th of February 2009 and the second Alexandria Run in October 2009.

Considered to be second only to the famous Dakar Rally, the annual Pharaohs Rally is a seven-day, seven-stage event across the Sahara. The race starts on the Pyramids plateau and in the shadow of the Sphinx in Giza. It is a race a grueling 3,000km (1,850 miles) circular course that ends up back in the bustling capital. A test of endurance for drivers and their vehicles, this tough event attracts more than 130 vehicles and 100 motorcycles from all over the world. This year it starts on the 5th and ends on the 12th of October. The sport of fishing has two popular festivals during the year. An International Fishing Festival in Hurghada that takes place during the month of February and a National Fishing Festival in Sharm El Sheikh that takes place in November.

The Abu Simbel Sun Festival at Aswan, is observed twice annually on 22nd of February and on 22nd of October. These dates mark the birthday and the ascension to the throne of the Emperor Ramses ΙΙ. On these days, shafts of sunlight enter into the temple and illuminate the face of the statues of the great King Ramses II and the two Sun gods Re-Horakhte and Amen-Re seated beside the Theban god Ptah, the god of darkness. As the temple remains in absolute darkness through out the year and receives sunlight on these two very special days, the rare phenomenon is a scene that you just cannot afford to miss. Celebrated in a big way by the locals, undoubtedly the Sun Festival at Abu Simbel is one of the most uncommon and astounding festivals in the world.

About the Author:
Gawhara Hanem
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A tour in Cairo would probably include dinner on a boat floating smoothly down the Nile, the deep dark waters lite up, reflecting back the lights of Cairo by night. Sounds enchanting and mesmerizing, well it defiantly is. But on a trip like this that won’t be the only sight to spellbind you. The program would also include, among other things, a belly dancer and a tanoura dancer (an Egyptian folk dance derived from the Sufi religion) as entertainment.

And after a visit to the Pyramids, the Citadel and the enormous Egyptian Museum of Antiquity, you’ll probably go home impressed. But that’s just the tip of the ice berg. A people whose ancestors left behind a culture that has always captivated the world, and who over time have been exposed to a myriad of invasions by foreign cultures, must have more to show, and they do!

There are quiet a number of places with significant cultural importance, and an endless list of annual festivals and exhibitions, but we’ll only mention the most popular ones.

The Museum of Egyptian Antiquity displays 136,000 items with a couple of hundred thousand others in its basement store room, making it home to the most expensive collection of ancient Egyptian antiquities in the world. With the new Grand Egyptian Museum being built near the Pyramids area, many more of these stored items will finally be displayed and get the attention and glory they deserve.

The old Khedive Opera House or Royal Opera House was built in November 1, 1869 and burned down on October 28, 1971. Seventeen years later on October 10, 1988 the National Cultural Center (Cairo Opera House) was built with the help of the Japan International Co-operation Agency (JICA), making Egypt the soul country in the region with two opera houses built within one century. The Cairo Opera House has recently hosted concerts by the Smithsonian Jazz Orchestra, Michael Flatley’s Lord of the Dance and Bolshoi Theatre of the Republic of Belarus.

A not too known place of historical interest is The Cairo Geniza. The Geniza holds almost 200,000 Jewish manuscripts. These have been found at the Ben Ezra Synagogue (built in 882) in Fostat (now Old Cairo), the Basatin Cemetery east of Fostat and some were bought in Cairo in the late 19th century. These documents date back from 870 to 1880 AD.

Not to be missed are the beautiful gardens of Al Azhar Park. The sunset over the panoramic view of the old city of Cairo is an unforgettable site from one of its green hills. The park has running streams, waterfalls, restaurants, Islamic archways and lush landscaped gardens. Al Azhar Park is located near Darb Al-Ahmar district. It was a gift to Cairo from His Highness the Aga Khan, as his ancestors were the Fatimids who founded the city of Cairo in 969. During the development of the park parts of a 12th century Ayyubid wall was discovered, which has led to a major project for the restorations of several mosques, palaces and historic houses.

Erected on the same site as the ancient library, the Bibliotheca Alexandrina was inaugurated in October 2002. The main reading room is striking with its glass-paneled roof that resembles a sundial. The library has shelving space for eight million books, with the main reading room covering 70,000 m² on eleven cascading levels. The complex also houses a conference center; specialized libraries for the blind, for young people, and for children; three museums; four art galleries; a planetarium; and a manuscript restoration laboratory.

With the building of the Aswan Dam, the UNESCO attempted to salvage and recover many temples and reallocate them to higher grounds. A large quantity of artifacts was saves and was finally displayed at the beautiful Nubian Museum. The architecture of the Museum and the building walls were intended to evoke traditional Nubian village architecture, as it was along the Nubian Nile before the region was flooded by Lake Nasser.

As-Sawi Water Wheel (in arabic Saqiyet As-Sawi), is a popular cultural center. Located in Zamalek, the center hosts theatrical, musical and cinema performances, plastic art galleries, seminars and training courses. It has become a doorway to unknown artists finding a place on Cairo’s culture scene. Holding awareness campaigns (2008 being “The Year of the Minds”) it’s intent is to protect the freedom of thought and the freedom to enjoy culture.

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The Tanoura Dance Troupe performed this week as they do every week, at the picturesque Al-Ghouri Mousoleum near Khan el Kalili bazaar. They perform twice a week on Wednesday and Saturday at 8:30 p.m. and the admission is free! So it’s hard to be disappointed since the experience is bewitchingly amazing.

The practice of Tanoura or Sufi whirling is a type of meditation that originated among Sufis over 700 years ago. The word “Tanoura” may refer to the dance, dancer, or the large skirt used in the performance.

Sufism is the spiritual tradition known to many Westerners through the mystical poetry of Rumi and Hafiz. Sufism is a mystical tradition dating back two millennia. It is generally understood to be the mystical dimension of Islam, and the practitioner of this tradition is known as Sufi or “Dervish.” The word is Persian in origin and literally means “the sill of the door”, but it is used by the Arabic and Turkish language to describe the Sufi, who is the one who is at the door to enlightenment.

Sufi Masters have developed a variety of practices to induce mystical states of consciousness. Jalaluddin Rumi, a thirteenth-century Persian Sufi and founder of the Mevlana Order, developed the ritual dance which consisted mostly of turning in place or spinning around a central point or pillar.

Mevlâna Jalâluddîn Rumi says, “All loves are a bridge to Divine love. Yet, those who have not had a taste of it do not know!”

The Egyptian Sufi dancing is different to the Mevlana Dervishes in Turkey. It is more colourful and with more people involved in the performance. The concept is built around the idea that the universe stems from the same point of rotation. Starting and ending at the same point, represented by the senior dancer, “Lafife” and symbolizes the Sun, while the junior dancers “Hanatia” are the constellation revolving around him. The whirling motion itself reflects the importance of circles in Sufi philosophy and cosmology, within which revolution is the fundamental state of all beings. The aim during this ritual is to desert “the nafs” or ego (or personal desires) and listening to their master and Sufi music, thinking about God and whirling on a spiritual journey to reach the “Kemal” (the perfect).

“For a dervish, there must be a purpose, a cause for existence, and inside the cause, a True Human Being.” Jelaluddin Rumi

The musical instruments used include rebaba (folk fiddle), ney (flute), mizmar (shawm), frame drums, sagat (cymbals), and tabla (doumbek drum). In the Sufi tradition the ney holds great significance as air has to be breathed in and out rather than blown into it, and that the wind passing through the flute is not just the breath of the player but the breath of God. So once the breath enters the journeyer (the dancer), he seeks union with God through the whirling movements. There is also the chanting of “thikr”, which is the repletion of “la illaha illa’llah” (there is no god but God). However, some Dervish may only repeat “Allah” because they believe man can die at any moment, and they want only the name of God on their lips and in their hearts.

The changes in music, body language, and facial expressions are intended to communicate. The tannoura contained a cohesive message, communicated sequentially over the course of the show. The dancers whirl continuously sometimes for up to 45 minutes straight, varying their pace to match the music, then stop and be completely fine. As they turn, they manipulate long skirts in a colorful display and executing skilled moves, such as throwing the skirts in the air, spinning the skirts at different levels and angles, even spinning the skirt over head and while lying down. When the dancer tilts at an angle where the right hand is raised up and the left almost touches the ground, it signifies a union of the heaven and earth.

It is a rare occurrence of religious ceremony transcending into performing art. But it is obviously more entertainment than religious ceremony. It is also claimed that the trance-like state that the Dervish goes into extends to the observing audience, so don’t feel surprised if you find yourself transfixed watching these well trained performers on their spiritual journey!

About the Author:
Gawhara Hanem
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Abu Simbel was unheard of in the Egyptological world until J. L. Burckhardt in 1813 stumbled on the upper part of a temple façade almost covered by sand. The entrance leading into the temple was discovered four years later by Giovanni Battista Belzoni and since then it has attracted many who have been awe-struck by the colossal façade of the temple.

Although the temple attracts tourists all year round its worth everything to visit this 3000 year old inspiring rock mountain on the 22nd of February and the 22nd of October, when the Sun illuminates the sanctuary statues.

The temple was actually built further down the Nile, in the same relative position, but due to the rising waters of Lake Nasser that grew behind the Aswan Dam, the temple had to be moved on the desert plateau 200 feet above and 600 feet west of their original location. In a massive archeological rescue plan by the UNESCO in the 1960s the complex of temples was moved to its site today from the original locations that are presently underwater.

Abu Simbel lies 280 km south of Aswan and only 40 km north of the Sudanese border. Archaeologists have concluded that the immense sizes of the statues in the Great Temple were intended to scare potential enemies approaching Egypt’s southern region, as they traveled down the Nile from out of Africa.

The massive façade of the main temple is dominated by four seated colossal statues of Ramses II himself. Each statue 67 feet high is seated on a throne and wears the double crown of Upper and Lower Egypt and all are sculpted directly from the rock face. The thrones are decorated on their sides with Nile gods symbolically uniting Egypt. Between the legs and on each of their sides stand smaller statues of members of the royal family. The smaller statues of relatives were of his wife Queen Nefertari, his mother Tuya the great wife of Seti Ι, and of many of his children.

There are two main temples, that of Ramses II dedicated to sun gods Amun Ra and Ra-Harakhte and the smaller was built in honor of Nefertari, his wife and dedicated to the goddess Hathor. The temples are as impressive in the day as they are by night, since each night there are three Sound and Light Shows in seven different languages.

The Abu Simbel Sun Festival is one of the world’s most unique events to date. This week the Solstice occurrence can be witnessed again by crowds that pack into the temple before sunrise. The two dates, February and October the 22nd commemorate King Ramses’ ΙΙ ascension to the throne and his birthday respectively.

The Sun Festival starts at dawn as the visitors watch the shafts of light slowly creep into the temple lighting up this sanctuary. Curiously enough the sun illuminates the status of Amun-Ra, Ra-Harakhte and Ramses the god; whilst the statue of Ptah, the god of darkness remains in the shadows.

So on the 22nd of this month unlike any of us, Ramses will not be having candles lite up on his birthday, but the first rays of the Sun will light up his face before it lights up his architectural phenomena and the rest of Egypt!

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This year the Cairo Opera House celebrates its 20th anniversary with performances by international artists and several special shows. The Opera House has always aimed out to promote the arts of music and dance and to especially preserve, renew traditional Arab music and cultural heritage while sharing the passion for the arts. Performances of ballet, operatic or symphonic works are staged with Egyptian companies or in cooperation with foreign ensembles or soloists. Seminars and cultural conferences covering a wide range of artistic and intellectual issues are held regularly.

The first opera house in Cairo was The Khedivial Opera House (or Royal Opera House). It was built in 1869 by the Khedive Ismail, but burnt to the ground in 1971 because it was made mostly of wood. It received the premiere of Verdi’s Opera Aida in 1871. After its destruction, Cairo was without an opera house for 2 decades until the opening of the new opera house that now stands in close to downtown Cairo.

The new Cairo Opera House is part of Cairo’s National Culture Center. The funds for the complex were a gift from the nation of Japan to Egypt. In October of 1988 it was inaugurated by President Hosni Mubarak and His Highness, Prince Tomohito of Mikasa, the younger brother of the Japanese Emperor in a remarkable ceremony. It was the first time for Japan to stage a Kabuki show, a traditional popular drama with singing and dancing, in Africa or the Arab World. In recognition of the Cairo Opera House, the London Royal Philharmonic Orchestra chose it as a venue for their first performance in the Middle East and Africa in January 2007.

The museum on the first floor of the Main Hall exhibits rare photos including some from the night the Khedival Opera House burnt down. There are also photos of the most important artistic performances and a number of brochures of concerts that were given in the Opera House before it was destroyed. This wing also exhibits costumes, jewelery, and musical scores of the opera Aida. Some historic documents written in Italian about the artistic performances of the Khedivial Cairo Opera House from 1869 until 1907 are shown as well. The museum also displays a huge wooden nay (oriental flute) about 10cm wide and more than 2m long and a rare piano with additional keys to allow for oriental tunes to be played.

The celebrations this year were launched by the commencement of the Swiss Tales which was attended by Mrs. Suzanne Mubarak and the Swiss President Pascal Couchiepin. The first of the concert was for Francois Lindemann’s seven grand pianos orchestra, “Piano Seven” played by seven Swiss pianists and part of the “Swiss Tales” programme for cultural exchange between Egypt and Switzerland. Over the course of the year a number of prestigious groups have performed at the Cairo Opera House and attracted various audiences and supporters.

Germany participated in this celebration with a performance of the popular Ballet Mannheim and the Twelve Pianists’ concert in which 12 pianists play melodies at one piano. The British Royal Philharmonic Orchestra performed three concerts, with earnings dedicated to the New Children’s Cancer Hospital and Abo El-Reesh Children’s Hospital.

Also participating this year was a performance by the famed Lebanese singer and oud player Marcel Khalifa. The famous Belarus National Academic Bolshoi Ballet Theatre performed their ballet “Swan Lake”. There were also performances from the American Smithsonian Jazz Master Works Orchestra and the Irish Lord of the Dance troop.

About the Author:
Gawhara Hanem
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Egypt Tours