Archive for the ‘Cairo’ Category

The Medieval Bazaar

Friday, December 5th, 2008

Copyright © EgyptHasItAll.com

A portal that transports you back into time, Khan el Khalili gives its visitors a glimpse into what a traditional market was like in the middle ages, with its medieval atmosphere and labyrinth of winding streets and twisted alleyways.

In 1382 Emir Djaharks el-Khalili built a big caravanserai (or khan) in the heart of the Fatimid City. A caravanseri was like a hotel for traders, and usually the central point to an area’s economic activity. This caravanserai is still there, you just ask for the narrow street of Sikka Khan el-Khalili and Badestan. The Khan el-Khalili Bazaar is situated at one corner of a triangle of markets that go south to Bab Zuwayla and west to Azbakiyyah. The Khan is bordered on the south by al-Azhar Street and on the west by the Muski Market. One of the old original gates guards the entrance to the original courtyard which lies midway down Sikkit al-Badistan Street. The al-Hussein Mosque is also in Khan el-Khalili and Al-Azhar University and its mosque are not far away.

On a narrow street leading off al-Badistan, El Fishawi Café (or Café of Mirrors), is open continuously day and night, and you can count on that, because it has been so for over 200 years. It is small, a little crammed, and with mirrors almost everywhere. It has been the meeting place for local artists, and has been frequented by the Nobel Award winning laureate Naguib Mahfouz, one of Egypt’s most well known authors. His novel Midaq Alley is set in an alley in Khan el Khalili.

The place where art and commerce come together, Khan el Khalili is the heart of the city. You can easily wander the streets of this bazaar to take it all in. You don’t need a guide, or even a guide book, and should you get lost, just keep going in one direction and you will quickly come out of the maze, and close to a taxi. But if you’re planning on doing any shopping, be prepared to bargain shamelessly! Just remember that you should never feel that you insult or disappoint a seller by not buying.
Clothes are cheap, spices are of good quality and affordable, souvenirs are of good quality as in the hotel lobby, but at a better price. Jewelry is a matter of taste, and there’s an enormous variety of gold on offer. The perfume shops of the Khan are particularly tempting, saturated with spicy and floral scents. Colorfully decorated and brightly light, they’re run by clerks who can mix any fragrance you desire. Egyptian buyers generally shop in the area north of al-Badistan and to the west, where prices may be lower. Better deals for gold and silver are to be found west of the Khan along the “Street of the Gold Sellers”, and further on one will find the Brass and Coppersmith Markets.

The Khan is a MUST see, not to be missed even on a rainy day, as it is an open market, don’t let anything discourage you from this experience, it is still worth the visit!
 
About the Author:
Gawhara Hanem
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The Hanging Church of Cairo

Monday, December 1st, 2008

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Built during the 3rd and 4th century the Hanging Church translated in Arabic to El-Mu’allaqa or “the Suspended” has also been known as Sitt Mariam and St Mary, and during the 14th and 15th centuries travelers called it the “Staircase Church” because of the twenty-nine steps that led to the entrance.


One of Cairo’s most beautiful churches, its impressive location is due to the fact that it was built on top of the southern tower gate of the old Babylon fortress with its nave suspended over the road beneath. The land surface has risen by some 6 metres since the Roman period so that the Roman tower is mostly buried below ground; this has reduced the visual impact of the church’s elevated position. The entrance to the Hanging Church is via a beautifully decorated gate on Shar’a Mari Girgis Street in Coptic Cairo (Old Cairo). Coptic Cairo is the oldest part of modern-day Cairo, a tightly walled enclave, with narrow alley-ways that lead to Churches dating back to the origins of Christianity in Egypt.


The Hanging Church is a World Heritage Site, and is still used to this day for Coptic Mass on Friday and Sunday. In Egypt this church has played an important role in the Coptic Church History, as it had been the seat of the patriarchs after it was transferred from Alexandria to Al- Fustat (Old Cairo). The 66th patriarch Pope Ana Christodolos (1039- 1079) chanted the liturgy in the church. The Church holds several important festivals and celebrations like the enthronement of the patriarchs.

Dedicated to the Virgin Mary, the church contains an eleventh-century pulpit, a thirteenth-century ebony and ivory screen and also has been a place where antiquities have been preserved especially in the Coptic Museum, with some 110 medieval icons and murals, the oldest among them belonging to the 8th century. But the oldest artifact unearthed is a lintel showing Christ’s entry into Jerusalem that dates from the 5th or 6th century. The church was badly damaged in the 1992 earthquake, which affected many of Cairo’s medieval buildings, but has since been renovated.


The Hanging Church in Egypt was possibly the first built in Basilican style with three aisles, a narthex and tripartite sanctuary. Later another chapel known as the “little church” was constructed over the eastern tower of the Babylon Fortress’ south gateway and now is the oldest part of the remaining church. In the 19th century a fourth aisle was added. The church is 23.5 meters long, 18.5 meters wide and 9.5 meters high.

Although the original church was founded during the third and fourth century; the current building may date from as early as the seventh century, but it was rebuilt in 977AD and heavily restored in the nineteenth century. However, the earliest mention of the church was a statement in the biography of the patriarch Joseph I (831-849 AD), when the governor of Egypt visited the establishment.

The entrance to the church leads into an open courtyard, flanked by mosaics, from which the 29 steps take you up to the church. At the top of the stairs are three wooden doors decorated with geometric patterns, framed with decorative carvings in the stone wall. The inside is impressive and is truly a work of art, lending the atmosphere an air saturated with medieval history, even the ancient timber wood of the magnificent ceiling is reminiscent of Noah’s Ark.

About the Author:
Gawhara Hanem
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Layers of Culture- Part ΙΙΙ

Friday, November 28th, 2008

Copyright © EgyptHasItAll.com

Being one of the first civilizations of history, literature and art have always been an integral part of the Ancient Egyptian Culture. The oldest Egyptian text is the Pyramid Text (the mythology and rituals carved around the tombs of rulers). And during the Greco-Roman period (332 BC–AD 639), Egyptian literature was translated into other languages, giving us the Rosetta Stone, which became the key to unlocking the mysteries of Egyptian writing to modern scholars. During the Christian era, Egypt was the main source of ascetic literature in the Coptic language and under Islam, Egypt continued to be a great source of literature but in the Arabic language. Through out time modern society and culture in Egypt have become a mixture of the layers of history. And here are a few of the people who added richness to this complex mix.

The 1988 Nobel Prize winner for literature, Naguib Mahfouz, is one of the most outstanding novelists in modern Arabic literature. A large number of his novels have been translated into many foreign languages. He was born in 1911 in the old quarter of Cairo, El-Gamaliyya, which has set the stage for many of his novels. For over more than a century, and since his first novel in 1939 he has since written 32 novels an 13 collections of short stories, the most famous being, “El Bedaya Wal Nehaya” (The Beginning and the End) and “The Harafish”. Through his ability to present both a critical view of the very local society to which he belonged, that of modern Cairo, and a more universal perception of the troubles of man in the modern age, Mahfouz has gained this great literary appeal both in the Arab and international world.

Abdel Halim Hafez is among the most popular artists in the Arab world. Not only did he have a magical romantic voice, that entranced the crowds, but they loved him on the big screen too. He was born on the 12 of June 1929, in the small town of Halawat, in the Nile Delta. By the age of 5 both his parents had passed away, so he moved to live with relatives in Cairo, where he graduated from the Academy of Arabic Music in Cairo. Abdel Halim may have recorded many albums, but much of his work is only available from live recordings as he was mainly a live performer, and during the war years he contributed the proceeds of many of his concerts to the Egyptian Government. In March of 1977 he died in London, UK from Bilharzia which he had contracted as a child. It is estimated that the crowd that followed the funeral procession was about 100,000, one of the largest crowds at a funeral ever in Egypt.

Fathy Salama was born in Shobra (Harlem of Cairo) on March 27, 1969. This Grammy (Best Contemporary World Music Album) and BBC Award winner started playing the piano at the age of six and by age thirteen was gigging in Cairo’s clubs. Traveling to Europe and to New York to learn jazz with great artists as Barry Harris, Sun Ra and Pat Patrick, his music creations link together modern music and the music of the Orient. Through his group Sharkiat, Fathy has made many hits in the 80’s and has won two prizes for his film sound tracks for Fallen Angels Paradise and Signs of April.

In 1953, Omar El-Sharif became an over night screen idol with his first role in the Egyptian film, Sira’ Fil Wadi (The Blazing Sun). He first started working in his father’s successful lumber company, then converting to Islam and marring renowned actress Faten Hamama in 1955. He starred in a total of 22 films from 1954-1961, before his first debut in an English language film “Lawrence of Arabia” in 1962. Omar El-Sharif’s best remembered role is David Lean’s “Doctor Zhivago”, where his son Tarek Sharif appeared as Yuri at the age of 8. Omar El-Sharif is fluent in Arabic, English, Greek and French and can also speak some Italian and Turkish. He has been nominated for an Oscar as Best Supporting Actor, and a Golden Globe Award as Best Supporting Actor, Most Promising Newcomer award and in November 2005 was honored with a UNESCO medal in recognition of his significant contributions to world film and cultural diversity.

Umm Kalthum (1904-1975) is one of the most famous Arab singers of the 20th century. She was known for her powerful, pure voice and her moving renditions of both neoclassical and colloquial Egyptian lyrics. After the Egyptian defeat in the Six-Day War (1967), Umm Kulthum toured the Arab world on behalf of Egypt, donating the proceeds from her concerts to the Egyptian government. During her career, Umm Kulthum recorded more than 300 songs and made 6 motion-picture musicals. She became associated with President Gamal Adel Nasser, and in many interviews and avenues to the public she has promoted both the Egyptian and Arab culture.

Youssef Chahine born in 1926 in Alexandria to a Christian family established himself from the start as a director with an independent mind, ready to challenge authority. All his films have adopted some controversy or other, whether it be criticizing U.S foreign policy or Egyptian/ Arab social issues. He has been recognized on the international scene as early as 1951, where he was invited to the Cannes Film Festival and in 1978 won a Silver Bear at Berlin for his film “Alexandria…Why?”. Chahine has also received the 50th Annual Lifetime Achievement Award at the 1997 Cannes Film Festival. He has made more than 40 films, the last “This is Chaos” premiered at the Venice Film Festival in 2007. Chahine died this August at the age of 82 after several weeks in coma.

Since 1942, and in her pursuit of free studies in art Inji Eflaton, participated in the exhibition of the “Art and Freedom Group”. At the time modern Egyptian art, was conformed by bonds of academism and formalism and this was the first society to attempt to free art from its bonds. Starting March 1952, she had her first of 28 solo exhibitions in Egypt and world wide, including Rome, Venice, Paris, Dresden, Warsaw, Moscow, Prague, New Delhi, San Paolo and Kuwait. Inji Eflaton who died in 1989, received from the French Ministry of Culture, in 1986 a medal of merit called “Cavalier of the Arts and Literature”.

Taha Hussein (1898- 1973) was born to a lower middle-class rural family and lost his eye sight at a very early age. His father was keen on giving Taha the best in education, he was among the first to join and graduate with a Ph.D from the, then newly founded university. He received a scholarship to France and was the first Egyptian to obtain a BA from Montpellier University, and then a Ph.D. from the Sorbonne on Ibn Khaldoun (the fourteenth century Arab thinker). Taha Hussein became one of the leaders of the Arab culture renaissance, through his powerful will, craving for knowledge and his ability to challenge the established values.

About the Author:
Gawhara Hanem
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Cultural Festivals-Part ΙΙ

Tuesday, November 25th, 2008

Copyright © EgyptHasItAll.com

Picking up from our previous post about culture houses, we decided to follow with festivals. The festivals range from art and book festivals to fishing and horse festivals.


Of the most popular annual festivals that draw crowds in the millions is the Cairo International Book Fair. The first book fair was held in 1969. The Book Fair takes place in mid January and lasts for two weeks. The Fair is one of the biggest in the Middle East and during the course of the exhibition, there are lectures, seminars and special displays held on the grounds.


The Cairo International Film Festival is also another major international attraction, to be held annually in early December, and has been for the past 26 years. Besides the regular competition the festival includes tributes, controversial films, seminars and appearances by international artists, which over the years have included Matt Dillon, Nicolas Cage, Elizabeth Taylor and Sophia Loren.


The Experimental Theater Festival is held in September at the Cairo Opera House. This festival allows young artists from many parts of the world to present experimental theatrical performances based on freedom of thought, creativity and experimentation. And this years13th Ismailia International Festival for Folk Arts attracted 24 troupes from 17 countries, performing on 9 stages, also proved to be a success.


Cairo holds three international music festivals. During the month of August Cairo hosts the International Song Festival, which attracts not only Arab performers but talent from the international scene. The second being the Arab Music Festival which is held in the Cairo Opera House during the month of November and celebrates a tradition of Arabic music. In its 11th year the festival boasted the live performance of 44 singers during the course of 18 concerts. But the most popular is the Citadel Music Festival held in late July early August. It features beautiful voices like the Algerian Souad Massi and this year witnessed the appearance of the Grammy and BBC Award winner Fathy Salama, among others.


The Arab Horse Festival, which is being held at the moment in El-Sharkya Governarate, on the Cairo-Belbas road, includes competitions for show-jumping, horse beauty and horse manners. Another sure attraction held Mid June at the Mena House Oberoi Hotel, is the annual Belly Dancing Festival. The most recent of festivals which has rapidly gained good reviews is the International Yoga Festival. The last event was themed “the Wonders of the World”, taking participants from the Khufu Pyramid, in Cairo through the Jordan Rift Valley to the lowest point on Earth, the Dead Sea. Still on the agenda is the Health and Beauty Exhibition taking place from the 8-11 this coming October, and the seventh Egyptian Marathon on the 13th of February 2009 and the second Alexandria Run in October 2009.


Considered to be second only to the famous Dakar Rally, the annual Pharaohs Rally is a seven-day, seven-stage event across the Sahara. The race starts on the Pyramids plateau and in the shadow of the Sphinx in Giza. It is a race a grueling 3,000km (1,850 miles) circular course that ends up back in the bustling capital. A test of endurance for drivers and their vehicles, this tough event attracts more than 130 vehicles and 100 motorcycles from all over the world. This year it starts on the 5th and ends on the 12th of October. The sport of fishing has two popular festivals during the year. An International Fishing Festival in Hurghada that takes place during the month of February and a National Fishing Festival in Sharm El Sheikh that takes place in November.


The Abu Simbel Sun Festival at Aswan, is observed twice annually on 22nd of February and on 22nd of October. These dates mark the birthday and the ascension to the throne of the Emperor Ramses ΙΙ. On these days, shafts of sunlight enter into the temple and illuminate the face of the statues of the great King Ramses II and the two Sun gods Re-Horakhte and Amen-Re seated beside the Theban god Ptah, the god of darkness. As the temple remains in absolute darkness through out the year and receives sunlight on these two very special days, the rare phenomenon is a scene that you just cannot afford to miss. Celebrated in a big way by the locals, undoubtedly the Sun Festival at Abu Simbel is one of the most uncommon and astounding festivals in the world.

About the Author:
Gawhara Hanem
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A Bit More Culture- Part Ι

Sunday, November 9th, 2008

Copyright © EgyptHasItAll.com

A tour in Cairo would probably include dinner on a boat floating smoothly down the Nile, the deep dark waters lite up, reflecting back the lights of Cairo by night. Sounds enchanting and mesmerizing, well it defiantly is. But on a trip like this that won’t be the only sight to spellbind you. The program would also include, among other things, a belly dancer and a tanoura dancer (an Egyptian folk dance derived from the Sufi religion) as entertainment.


And after a visit to the Pyramids, the Citadel and the enormous Egyptian Museum of Antiquity, you’ll probably go home impressed. But that’s just the tip of the ice berg. A people whose ancestors left behind a culture that has always captivated the world, and who over time have been exposed to a myriad of invasions by foreign cultures, must have more to show, and they do!

There are quiet a number of places with significant cultural importance, and an endless list of annual festivals and exhibitions, but we’ll only mention the most popular ones.


The Museum of Egyptian Antiquity displays 136,000 items with a couple of hundred thousand others in its basement store room, making it home to the most expensive collection of ancient Egyptian antiquities in the world. With the new Grand Egyptian Museum being built near the Pyramids area, many more of these stored items will finally be displayed and get the attention and glory they deserve.


The old Khedive Opera House or Royal Opera House was built in November 1, 1869 and burned down on October 28, 1971. Seventeen years later on October 10, 1988 the National Cultural Center (Cairo Opera House) was built with the help of the Japan International Co-operation Agency (JICA), making Egypt the soul country in the region with two opera houses built within one century. The Cairo Opera House has recently hosted concerts by the Smithsonian Jazz Orchestra, Michael Flatley’s Lord of the Dance and Bolshoi Theatre of the Republic of Belarus.


A not too known place of historical interest is The Cairo Geniza. The Geniza holds almost 200,000 Jewish manuscripts. These have been found at the Ben Ezra Synagogue (built in 882) in Fostat (now Old Cairo), the Basatin Cemetery east of Fostat and some were bought in Cairo in the late 19th century. These documents date back from 870 to 1880 AD.


Not to be missed are the beautiful gardens of Al Azhar Park. The sunset over the panoramic view of the old city of Cairo is an unforgettable site from one of its green hills. The park has running streams, waterfalls, restaurants, Islamic archways and lush landscaped gardens. Al Azhar Park is located near Darb Al-Ahmar district. It was a gift to Cairo from His Highness the Aga Khan, as his ancestors were the Fatimids who founded the city of Cairo in 969. During the development of the park parts of a 12th century Ayyubid wall was discovered, which has led to a major project for the restorations of several mosques, palaces and historic houses.


Erected on the same site as the ancient library, the Bibliotheca Alexandrina was inaugurated in October 2002. The main reading room is striking with its glass-paneled roof that resembles a sundial. The library has shelving space for eight million books, with the main reading room covering 70,000 m² on eleven cascading levels. The complex also houses a conference center; specialized libraries for the blind, for young people, and for children; three museums; four art galleries; a planetarium; and a manuscript restoration laboratory.


With the building of the Aswan Dam, the UNESCO attempted to salvage and recover many temples and reallocate them to higher grounds. A large quantity of artifacts was saves and was finally displayed at the beautiful Nubian Museum. The architecture of the Museum and the building walls were intended to evoke traditional Nubian village architecture, as it was along the Nubian Nile before the region was flooded by Lake Nasser.


As-Sawi Water Wheel (in arabic Saqiyet As-Sawi), is a popular cultural center. Located in Zamalek, the center hosts theatrical, musical and cinema performances, plastic art galleries, seminars and training courses. It has become a doorway to unknown artists finding a place on Cairo’s culture scene. Holding awareness campaigns (2008 being “The Year of the Minds”) it’s intent is to protect the freedom of thought and the freedom to enjoy culture.

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In a Whirl of Color

Sunday, November 2nd, 2008

Copyright © EgyptHasItAll.com

The Tanoura Dance Troupe performed this week as they do every week, at the picturesque Al-Ghouri Mousoleum near Khan el Kalili bazaar. They perform twice a week on Wednesday and Saturday at 8:30 p.m. and the admission is free! So it’s hard to be disappointed since the experience is bewitchingly amazing.


The practice of Tanoura or Sufi whirling is a type of meditation that originated among Sufis over 700 years ago. The word “Tanoura” may refer to the dance, dancer, or the large skirt used in the performance.

Sufism is the spiritual tradition known to many Westerners through the mystical poetry of Rumi and Hafiz. Sufism is a mystical tradition dating back two millennia. It is generally understood to be the mystical dimension of Islam, and the practitioner of this tradition is known as Sufi or “Dervish.” The word is Persian in origin and literally means “the sill of the door”, but it is used by the Arabic and Turkish language to describe the Sufi, who is the one who is at the door to enlightenment.


Sufi Masters have developed a variety of practices to induce mystical states of consciousness. Jalaluddin Rumi, a thirteenth-century Persian Sufi and founder of the Mevlana Order, developed the ritual dance which consisted mostly of turning in place or spinning around a central point or pillar.

Mevlâna Jalâluddîn Rumi says, “All loves are a bridge to Divine love. Yet, those who have not had a taste of it do not know!”


The Egyptian Sufi dancing is different to the Mevlana Dervishes in Turkey. It is more colourful and with more people involved in the performance. The concept is built around the idea that the universe stems from the same point of rotation. Starting and ending at the same point, represented by the senior dancer, “Lafife” and symbolizes the Sun, while the junior dancers “Hanatia” are the constellation revolving around him. The whirling motion itself reflects the importance of circles in Sufi philosophy and cosmology, within which revolution is the fundamental state of all beings. The aim during this ritual is to desert “the nafs” or ego (or personal desires) and listening to their master and Sufi music, thinking about God and whirling on a spiritual journey to reach the “Kemal” (the perfect).

“For a dervish, there must be a purpose, a cause for existence, and inside the cause, a True Human Being.” Jelaluddin Rumi


The musical instruments used include rebaba (folk fiddle), ney (flute), mizmar (shawm), frame drums, sagat (cymbals), and tabla (doumbek drum). In the Sufi tradition the ney holds great significance as air has to be breathed in and out rather than blown into it, and that the wind passing through the flute is not just the breath of the player but the breath of God. So once the breath enters the journeyer (the dancer), he seeks union with God through the whirling movements. There is also the chanting of “thikr”, which is the repletion of “la illaha illa’llah” (there is no god but God). However, some Dervish may only repeat “Allah” because they believe man can die at any moment, and they want only the name of God on their lips and in their hearts.


The changes in music, body language, and facial expressions are intended to communicate. The tannoura contained a cohesive message, communicated sequentially over the course of the show. The dancers whirl continuously sometimes for up to 45 minutes straight, varying their pace to match the music, then stop and be completely fine. As they turn, they manipulate long skirts in a colorful display and executing skilled moves, such as throwing the skirts in the air, spinning the skirts at different levels and angles, even spinning the skirt over head and while lying down. When the dancer tilts at an angle where the right hand is raised up and the left almost touches the ground, it signifies a union of the heaven and earth.


It is a rare occurrence of religious ceremony transcending into performing art. But it is obviously more entertainment than religious ceremony. It is also claimed that the trance-like state that the Dervish goes into extends to the observing audience, so don’t feel surprised if you find yourself transfixed watching these well trained performers on their spiritual journey!

About the Author:
Gawhara Hanem
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Happy Birthday Ramses!!

Tuesday, October 21st, 2008

Copyright © EgyptHasItAll.com

Abu Simbel was unheard of in the Egyptological world until J. L. Burckhardt in 1813 stumbled on the upper part of a temple façade almost covered by sand. The entrance leading into the temple was discovered four years later by Giovanni Battista Belzoni and since then it has attracted many who have been awe-struck by the colossal façade of the temple.


Although the temple attracts tourists all year round its worth everything to visit this 3000 year old inspiring rock mountain on the 22nd of February and the 22nd of October, when the Sun illuminates the sanctuary statues.

The temple was actually built further down the Nile, in the same relative position, but due to the rising waters of Lake Nasser that grew behind the Aswan Dam, the temple had to be moved on the desert plateau 200 feet above and 600 feet west of their original location. In a massive archeological rescue plan by the UNESCO in the 1960s the complex of temples was moved to its site today from the original locations that are presently underwater.


Abu Simbel lies 280 km south of Aswan and only 40 km north of the Sudanese border. Archaeologists have concluded that the immense sizes of the statues in the Great Temple were intended to scare potential enemies approaching Egypt’s southern region, as they traveled down the Nile from out of Africa.

The massive façade of the main temple is dominated by four seated colossal statues of Ramses II himself. Each statue 67 feet high is seated on a throne and wears the double crown of Upper and Lower Egypt and all are sculpted directly from the rock face. The thrones are decorated on their sides with Nile gods symbolically uniting Egypt. Between the legs and on each of their sides stand smaller statues of members of the royal family. The smaller statues of relatives were of his wife Queen Nefertari, his mother Tuya the great wife of Seti Ι, and of many of his children.


There are two main temples, that of Ramses II dedicated to sun gods Amun Ra and Ra-Harakhte and the smaller was built in honor of Nefertari, his wife and dedicated to the goddess Hathor. The temples are as impressive in the day as they are by night, since each night there are three Sound and Light Shows in seven different languages.

The Abu Simbel Sun Festival is one of the world’s most unique events to date. This week the Solstice occurrence can be witnessed again by crowds that pack into the temple before sunrise. The two dates, February and October the 22nd commemorate King Ramses’ ΙΙ ascension to the throne and his birthday respectively.

The Sun Festival starts at dawn as the visitors watch the shafts of light slowly creep into the temple lighting up this sanctuary. Curiously enough the sun illuminates the status of Amun-Ra, Ra-Harakhte and Ramses the god; whilst the statue of Ptah, the god of darkness remains in the shadows.


So on the 22nd of this month unlike any of us, Ramses will not be having candles lite up on his birthday, but the first rays of the Sun will light up his face before it lights up his architectural phenomena and the rest of Egypt!

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Cairo Opera House 20th Anniversary

Tuesday, October 14th, 2008

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This year the Cairo Opera House celebrates its 20th anniversary with performances by international artists and several special shows. The Opera House has always aimed out to promote the arts of music and dance and to especially preserve, renew traditional Arab music and cultural heritage while sharing the passion for the arts. Performances of ballet, operatic or symphonic works are staged with Egyptian companies or in cooperation with foreign ensembles or soloists. Seminars and cultural conferences covering a wide range of artistic and intellectual issues are held regularly.


The first opera house in Cairo was The Khedivial Opera House (or Royal Opera House). It was built in 1869 by the Khedive Ismail, but burnt to the ground in 1971 because it was made mostly of wood. It received the premiere of Verdi’s Opera Aida in 1871. After its destruction, Cairo was without an opera house for 2 decades until the opening of the new opera house that now stands in close to downtown Cairo.

The new Cairo Opera House is part of Cairo’s National Culture Center. The funds for the complex were a gift from the nation of Japan to Egypt. In October of 1988 it was inaugurated by President Hosni Mubarak and His Highness, Prince Tomohito of Mikasa, the younger brother of the Japanese Emperor in a remarkable ceremony. It was the first time for Japan to stage a Kabuki show, a traditional popular drama with singing and dancing, in Africa or the Arab World. In recognition of the Cairo Opera House, the London Royal Philharmonic Orchestra chose it as a venue for their first performance in the Middle East and Africa in January 2007.


The museum on the first floor of the Main Hall exhibits rare photos including some from the night the Khedival Opera House burnt down. There are also photos of the most important artistic performances and a number of brochures of concerts that were given in the Opera House before it was destroyed. This wing also exhibits costumes, jewelery, and musical scores of the opera Aida. Some historic documents written in Italian about the artistic performances of the Khedivial Cairo Opera House from 1869 until 1907 are shown as well. The museum also displays a huge wooden nay (oriental flute) about 10cm wide and more than 2m long and a rare piano with additional keys to allow for oriental tunes to be played.


The celebrations this year were launched by the commencement of the Swiss Tales which was attended by Mrs. Suzanne Mubarak and the Swiss President Pascal Couchiepin. The first of the concert was for Francois Lindemann’s seven grand pianos orchestra, “Piano Seven” played by seven Swiss pianists and part of the “Swiss Tales” programme for cultural exchange between Egypt and Switzerland. Over the course of the year a number of prestigious groups have performed at the Cairo Opera House and attracted various audiences and supporters.


Germany participated in this celebration with a performance of the popular Ballet Mannheim and the Twelve Pianists’ concert in which 12 pianists play melodies at one piano. The British Royal Philharmonic Orchestra performed three concerts, with earnings dedicated to the New Children’s Cancer Hospital and Abo El-Reesh Children’s Hospital.


Also participating this year was a performance by the famed Lebanese singer and oud player Marcel Khalifa. The famous Belarus National Academic Bolshoi Ballet Theatre performed their ballet “Swan Lake”. There were also performances from the American Smithsonian Jazz Master Works Orchestra and the Irish Lord of the Dance troop.

About the Author:
Gawhara Hanem
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The New GEM of Egypt

Monday, September 29th, 2008

Copyright © EgyptHasItAll.com

1835 Champollion presented Mohamed Ali Pacha (ruler of Egypt at the time) with a petition to erect a museum to house and protect the findings that were dug up during the excavations. But that was only the start because the discoveries and the artifacts just kept multiplying. In 1890 Ismail Pacha offered one of his palaces in Giza to be the new house for the discoveries. And by 1902 a still bigger place was needed to accommodate the continually increasing monuments and mummies, which at the time reached more than 140,000 items displayed, this was provided by Abbas Helmi Pacha, who raised funds to build the museum.

The last resting place for Egypt’s treasures is the present day Egyptian Museum of Antiquity in El Tahrir Square. But the museum is now subject to threat from the surrounding buildings and heavy traffic causing vibration and pollution. Besides, the museum was built to cater for about 500 visitors per day, supplying adequate natural light and ventilation, but with the increase of visitors from 6 to 7000 per day, the decision to expand was yet again a compelling issue.
The project for a new state-of-the-art museum to chronicle for the world the ancient story of over 7000 years of Egyptian civilization began in 1992 but due to the short in funding was delayed. An international competition was held to choose the building design and was won by Heneghan Peng Architects of Ireland.

Built over 50 hectares of land, and just 15 km south of Cairo, it is located in the shadow of the Great Pyramids of Giza. It is expected to hold 100,000 exhibits making it larger than the British Museum, which holds 80,000 artifacts on display.The project is to cost about $550 million US, and is expected to be finished by 2010. The Egyptian government is hoping to raise $40 million from a current tour of King Tutankhamun artifacts in the United States to go towards funding for the project, but there is also backing from Japanese investors.

The Great Egyptian Museum (GEM) will have capacity for 15,000 visitors a day and house an archeological research institute as well as extensive storage. It is also designed to include an auditorium, a media and a publication centre for books, CDs and video tapes. The creation of a data bank and an Egyptological Library will satisfy the need of many scholars keen on the study of the museum collection.


The GEM is situated at the junction where the fertile valley meets the desert, which for the ancient Egyptians was the land of the after-life. And the most befitting final resting place for King Tut’s mummy and treasures that were discovered in his tomb in 1922. The museum is also expected to exhibit the Sun Boat that was believed to have transported Queen Cleopatra’s body, which now stands in its own museum near the Pyramids. On August 25, 2006 the 83 ton statue of Ramases II was moved from Ramases Square in Cairo to the Giza Plateau, in anticipation of construction of The GEM. The Statue of Ramases II, estimated to be approximately 3,200 years old, will be cleaned and touched up, and will be situated at the entrance of The GEM by 2010.

But the most striking aspect of The GEM is its glowing façade and giant triangular entrance way! Constructed of translucent alabaster, it is designed to allow the light to penetrate the inside of the museum by day and will be illuminated to glow by night too. The angled roof of The GEM is aligned with the neighboring Pyramids, forming a line from one edge of its roof extending to touch the tip of the largest of the pyramid and the other edge points toward the peak of the smaller Khefre Pyramid. The Design plans and landscaping of The Gem are perceived through light and vision. Through out the site of the museum light plays a dramatic role. The color of light changes gradually between Sun and shade, the exterior and the interior, between day and night.

About the Author:
Gawhara Hanem
—————————————————————–
Egypt Tours

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Egypt 101

Saturday, September 27th, 2008

Copyright © EgyptHasItAll.com

Many people have come to Egypt armed with a travel book, “Lonely Planet” or maybe “Rough Guide”, only to be disappointed with their trip. Sure these books give you a lot of good information, but don’t explain or clarify everything, and certainly don’t provide advice in dealing with problems, so it’s not advisable to rely on them solely.


The first and most important step you need to overcome is to dispense any preconceived notions. The experience you are about to embark on will be like no other. A journey into a different place in time, the operative word being “different” of course! With that out of the way, every encounter will be an adventure all on its own, so relax and enjoy yourself!

To get things started let’s do some history! Egypt has always been recognized for being the world’s most ancient existent state. Being at the crossroad between the Middle East and North Africa, this unique geographical location, has invariably made Egypt the bridge between Asia and Africa. Egypt also overlooks the Mediterranean so linking it to Europe too. Over the years this land has been occupied by the Greeks, the Persians, and the Romans. And during its conquest by the Arabs it was ruled by the Fatimids (969-1171), the Mamluks (1250-1517), and the Ottomans (1517-1798). It then went through 150 years of occupation by the French and British colonial rule until the revolution of 1952 that finally returned the power to Egyptian hands. But every new rule that came along, rather than destroy what had been conquered, opt for building a new city, just upwind from the old one. This makes Egyptians of special nature as they have acquired throughout the years the customs and habits of the different regions the country belonged to. Egypt has been cited in the three holy books and has been witness to Judaism, Christianity, and Islam. Indeed, one of the joys of Egypt is that its historic areas are still vibrant, living spaces and not open-air museums. The physical remains of a thousand years of history, being conquered and reconquered by different groups, are the bare essence of its charm. The past here is more a state of mind than a historical fact and that, ultimately, is the way in which Egypt is truly overwhelming.


One of the first things that will arrest your senses, beside the heat, is Cairo’s chaotic rhythm of the traffic and people. Egyptians seem to be a rowdy lot, but they never miss an opportunity to laugh at a joke. Nor do they miss on an opportunity to lend out a hand or point out directions; even with very broken English everyone is eager to improve their English regardless if they know the answer to you question or not. Egypt is a safe country, since tourism is a highly valued industry and security is high especially around busy touristic areas. Street crime is rare and the crimes reported in the press would be family dramas or con deals of some sort. So open you eyes and mind, and if you’re organizing your own excursions be prepared for the occasional swindle.

“El salamo Alaikom” (or peace be with you) can be used all day as a verbal greeting. And before any form of social interaction, as a basic code of etiquette, greetings are expected, even to perfect strangers. Like in most Mediterranean countries, Egyptians are emotional by nature, loud and use their hands and faces to complete the theatrical effect of the words. If you’re male don’t be surprised if another man holds your hand or forearm. Egyptians are comfortable with less personal space between them and the person they are talking to, a show of intimacy. Unlike in the West this is in no way associated with homosexuality. In general Egyptians are a conservative people. Egypt being over crowded, with people living in very high population densities they are accommodated to this forced proximity. It is hard to decided whether, despite or because of this crowding, there is segregation by gender, which can be seen in having two queues (one for men and another for women) or separate cars on trains.

‘Baksheesh’ is an integral part of any Egyptian workers life. As wages are low, workers rely on tips from foreigners and locals alike. But since you’re a foreigner, many poor people will consider you rich no matter what part of the world you come from, so stock up on change. It also helps to learn the phrase “la shokran” (No thank you). You can also use the same phrase with someone who is trying to sell you something, and if you forget “la shokran,” just say it in English, and walk away. It definitely works better than “emshi” (go away), which appears as advice in some travel books because it could be taken as an insult. Guide books also warn travelers of the hassle of buying from local shop owners. This is an exaggeration. Yes they may call for you to come into their shop but a firm and polite “la shokran” is more than enough to do the trick. All the same you should be prepared to bargain for anything you buy, and don’t get abusive to the trader, he’s only trying to feed his family. It’s easier to haggle with your currency and credit cards out of sight, and stored separately from your Egyptian pounds (LE), if you can show you have just a few LE on you. Souvenirs are better bought from Khan El Khalili (the old bazaar in the Islamic district), at better quality and prices.

It is advisable to arrange for a private guide. This can easily be arranged through your hotel, and is not at all expensive. They are very useful at the Cairo Museum since many of the artifacts are not labeled and the place is enormous, they can save you time by showing you all the relevant exhibits. Besides it’s a fast and sure way to learn from an Egyptian first hand about the country and the life style of its people.

Although Egyptians dress in a modern manner, they are conservative even in their attire. And not all women are veiled. Even though some women are veiled for religious reasons it is still a matter of choice. Egyptians can accommodate foreigners dressed skimpily, which is not a good idea though if you dislike being ogled at. There is no need for women to cover their hair, shoulders and legs. Nonetheless longer, loose clothes will protect you from the sun as well as show your respect for local customs. Since the floor of most of the sites is either sand or uneven stone it is advisable to wear sensible footwear too.


Please don’t drink from the tap water! You can shower and wash your teeth with it but bottled water is cheap and plentiful so use that for drinking. And don’t forget to drink enough, in this heat it is easy to become dehydrated. Always carry around enough, you maybe charged outrageously for a bottle at temples and sites. There’s a lot of Sun in Egypt so make sure you always have a high factor Sun protection on. It’s also useful to travel with a medical- kit. Include plaster, safety pins, antiseptic cream, diarrhea and headache tablets.

The hotel front desk is a reliable place to stop and ask about any query. It is also the best place to book or just ask for advice for an excursion like a felucca trip (sail boat in the Nile) for example or camel/horse rides at the Pyramids. They know the best taxis and tour companies, and will be happy to assist you, saving you time, money and hassle. With most hotels you can arrange to keep safe some of your luggage free of charge (or at a very low cost), if you are on a multi-centre holiday and intend on returning to your first hotel before your departure.

On another note it is also useful to know that internal flights must be booked and confirmed in advance. The conversion rate is far better in Egypt, so don’t exchange all your $, £ and Euro at home. Exchange enough to get you along on the first leg of your trip, and exchange the rest when you get to Egypt. Don’t forget to always have enough change for the “baksheesh”.


Relax! You do not need to take any more precautions in Egypt than you would traveling to most Western countries. People are very kind and respectful. No question that it’s a different culture, but that doesn’t make it wrong, just different and a truly amazing experience at that.

About the Author:
Gawhara Hanem
—————————————————————-
Egypt Tours

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