Archive for November, 2008

Layers of Culture- Part ΙΙΙ

Friday, November 28th, 2008

Copyright © EgyptHasItAll.com

Being one of the first civilizations of history, literature and art have always been an integral part of the Ancient Egyptian Culture. The oldest Egyptian text is the Pyramid Text (the mythology and rituals carved around the tombs of rulers). And during the Greco-Roman period (332 BC–AD 639), Egyptian literature was translated into other languages, giving us the Rosetta Stone, which became the key to unlocking the mysteries of Egyptian writing to modern scholars. During the Christian era, Egypt was the main source of ascetic literature in the Coptic language and under Islam, Egypt continued to be a great source of literature but in the Arabic language. Through out time modern society and culture in Egypt have become a mixture of the layers of history. And here are a few of the people who added richness to this complex mix.

The 1988 Nobel Prize winner for literature, Naguib Mahfouz, is one of the most outstanding novelists in modern Arabic literature. A large number of his novels have been translated into many foreign languages. He was born in 1911 in the old quarter of Cairo, El-Gamaliyya, which has set the stage for many of his novels. For over more than a century, and since his first novel in 1939 he has since written 32 novels an 13 collections of short stories, the most famous being, “El Bedaya Wal Nehaya” (The Beginning and the End) and “The Harafish”. Through his ability to present both a critical view of the very local society to which he belonged, that of modern Cairo, and a more universal perception of the troubles of man in the modern age, Mahfouz has gained this great literary appeal both in the Arab and international world.

Abdel Halim Hafez is among the most popular artists in the Arab world. Not only did he have a magical romantic voice, that entranced the crowds, but they loved him on the big screen too. He was born on the 12 of June 1929, in the small town of Halawat, in the Nile Delta. By the age of 5 both his parents had passed away, so he moved to live with relatives in Cairo, where he graduated from the Academy of Arabic Music in Cairo. Abdel Halim may have recorded many albums, but much of his work is only available from live recordings as he was mainly a live performer, and during the war years he contributed the proceeds of many of his concerts to the Egyptian Government. In March of 1977 he died in London, UK from Bilharzia which he had contracted as a child. It is estimated that the crowd that followed the funeral procession was about 100,000, one of the largest crowds at a funeral ever in Egypt.

Fathy Salama was born in Shobra (Harlem of Cairo) on March 27, 1969. This Grammy (Best Contemporary World Music Album) and BBC Award winner started playing the piano at the age of six and by age thirteen was gigging in Cairo’s clubs. Traveling to Europe and to New York to learn jazz with great artists as Barry Harris, Sun Ra and Pat Patrick, his music creations link together modern music and the music of the Orient. Through his group Sharkiat, Fathy has made many hits in the 80’s and has won two prizes for his film sound tracks for Fallen Angels Paradise and Signs of April.

In 1953, Omar El-Sharif became an over night screen idol with his first role in the Egyptian film, Sira’ Fil Wadi (The Blazing Sun). He first started working in his father’s successful lumber company, then converting to Islam and marring renowned actress Faten Hamama in 1955. He starred in a total of 22 films from 1954-1961, before his first debut in an English language film “Lawrence of Arabia” in 1962. Omar El-Sharif’s best remembered role is David Lean’s “Doctor Zhivago”, where his son Tarek Sharif appeared as Yuri at the age of 8. Omar El-Sharif is fluent in Arabic, English, Greek and French and can also speak some Italian and Turkish. He has been nominated for an Oscar as Best Supporting Actor, and a Golden Globe Award as Best Supporting Actor, Most Promising Newcomer award and in November 2005 was honored with a UNESCO medal in recognition of his significant contributions to world film and cultural diversity.

Umm Kalthum (1904-1975) is one of the most famous Arab singers of the 20th century. She was known for her powerful, pure voice and her moving renditions of both neoclassical and colloquial Egyptian lyrics. After the Egyptian defeat in the Six-Day War (1967), Umm Kulthum toured the Arab world on behalf of Egypt, donating the proceeds from her concerts to the Egyptian government. During her career, Umm Kulthum recorded more than 300 songs and made 6 motion-picture musicals. She became associated with President Gamal Adel Nasser, and in many interviews and avenues to the public she has promoted both the Egyptian and Arab culture.

Youssef Chahine born in 1926 in Alexandria to a Christian family established himself from the start as a director with an independent mind, ready to challenge authority. All his films have adopted some controversy or other, whether it be criticizing U.S foreign policy or Egyptian/ Arab social issues. He has been recognized on the international scene as early as 1951, where he was invited to the Cannes Film Festival and in 1978 won a Silver Bear at Berlin for his film “Alexandria…Why?”. Chahine has also received the 50th Annual Lifetime Achievement Award at the 1997 Cannes Film Festival. He has made more than 40 films, the last “This is Chaos” premiered at the Venice Film Festival in 2007. Chahine died this August at the age of 82 after several weeks in coma.

Since 1942, and in her pursuit of free studies in art Inji Eflaton, participated in the exhibition of the “Art and Freedom Group”. At the time modern Egyptian art, was conformed by bonds of academism and formalism and this was the first society to attempt to free art from its bonds. Starting March 1952, she had her first of 28 solo exhibitions in Egypt and world wide, including Rome, Venice, Paris, Dresden, Warsaw, Moscow, Prague, New Delhi, San Paolo and Kuwait. Inji Eflaton who died in 1989, received from the French Ministry of Culture, in 1986 a medal of merit called “Cavalier of the Arts and Literature”.

Taha Hussein (1898- 1973) was born to a lower middle-class rural family and lost his eye sight at a very early age. His father was keen on giving Taha the best in education, he was among the first to join and graduate with a Ph.D from the, then newly founded university. He received a scholarship to France and was the first Egyptian to obtain a BA from Montpellier University, and then a Ph.D. from the Sorbonne on Ibn Khaldoun (the fourteenth century Arab thinker). Taha Hussein became one of the leaders of the Arab culture renaissance, through his powerful will, craving for knowledge and his ability to challenge the established values.

About the Author:
Gawhara Hanem
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Cultural Festivals-Part ΙΙ

Tuesday, November 25th, 2008

Copyright © EgyptHasItAll.com

Picking up from our previous post about culture houses, we decided to follow with festivals. The festivals range from art and book festivals to fishing and horse festivals.


Of the most popular annual festivals that draw crowds in the millions is the Cairo International Book Fair. The first book fair was held in 1969. The Book Fair takes place in mid January and lasts for two weeks. The Fair is one of the biggest in the Middle East and during the course of the exhibition, there are lectures, seminars and special displays held on the grounds.


The Cairo International Film Festival is also another major international attraction, to be held annually in early December, and has been for the past 26 years. Besides the regular competition the festival includes tributes, controversial films, seminars and appearances by international artists, which over the years have included Matt Dillon, Nicolas Cage, Elizabeth Taylor and Sophia Loren.


The Experimental Theater Festival is held in September at the Cairo Opera House. This festival allows young artists from many parts of the world to present experimental theatrical performances based on freedom of thought, creativity and experimentation. And this years13th Ismailia International Festival for Folk Arts attracted 24 troupes from 17 countries, performing on 9 stages, also proved to be a success.


Cairo holds three international music festivals. During the month of August Cairo hosts the International Song Festival, which attracts not only Arab performers but talent from the international scene. The second being the Arab Music Festival which is held in the Cairo Opera House during the month of November and celebrates a tradition of Arabic music. In its 11th year the festival boasted the live performance of 44 singers during the course of 18 concerts. But the most popular is the Citadel Music Festival held in late July early August. It features beautiful voices like the Algerian Souad Massi and this year witnessed the appearance of the Grammy and BBC Award winner Fathy Salama, among others.


The Arab Horse Festival, which is being held at the moment in El-Sharkya Governarate, on the Cairo-Belbas road, includes competitions for show-jumping, horse beauty and horse manners. Another sure attraction held Mid June at the Mena House Oberoi Hotel, is the annual Belly Dancing Festival. The most recent of festivals which has rapidly gained good reviews is the International Yoga Festival. The last event was themed “the Wonders of the World”, taking participants from the Khufu Pyramid, in Cairo through the Jordan Rift Valley to the lowest point on Earth, the Dead Sea. Still on the agenda is the Health and Beauty Exhibition taking place from the 8-11 this coming October, and the seventh Egyptian Marathon on the 13th of February 2009 and the second Alexandria Run in October 2009.


Considered to be second only to the famous Dakar Rally, the annual Pharaohs Rally is a seven-day, seven-stage event across the Sahara. The race starts on the Pyramids plateau and in the shadow of the Sphinx in Giza. It is a race a grueling 3,000km (1,850 miles) circular course that ends up back in the bustling capital. A test of endurance for drivers and their vehicles, this tough event attracts more than 130 vehicles and 100 motorcycles from all over the world. This year it starts on the 5th and ends on the 12th of October. The sport of fishing has two popular festivals during the year. An International Fishing Festival in Hurghada that takes place during the month of February and a National Fishing Festival in Sharm El Sheikh that takes place in November.


The Abu Simbel Sun Festival at Aswan, is observed twice annually on 22nd of February and on 22nd of October. These dates mark the birthday and the ascension to the throne of the Emperor Ramses ΙΙ. On these days, shafts of sunlight enter into the temple and illuminate the face of the statues of the great King Ramses II and the two Sun gods Re-Horakhte and Amen-Re seated beside the Theban god Ptah, the god of darkness. As the temple remains in absolute darkness through out the year and receives sunlight on these two very special days, the rare phenomenon is a scene that you just cannot afford to miss. Celebrated in a big way by the locals, undoubtedly the Sun Festival at Abu Simbel is one of the most uncommon and astounding festivals in the world.

About the Author:
Gawhara Hanem
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How Did King Tut Really Go?!

Tuesday, November 18th, 2008

Copyright © EgyptHasItAll.com

He died 3,300 years ago and we know that he was 19 years of age when he did. We know that he came to the throne at the age of 9 and was too young to have made his own decisions, and that they were made for him by Aye, his vizier and Horemheb, the commander-in-chief of his army. We think he was Akhenaton’s son not from the famous Nefertiti but from Kiya a minor wife. He may have had a brother Smenkhkare, or as some think he could have been is father after all. He did have six half-sisters from Akhenaton and Nefertiti (if Akhenaton was his father really!). He was married to his probably half-sister Ankhesenamun and had twin girls who were stillborn and buried with him in the tomb. But even Ankhesenamun’s fate is unknown, as she was made to marry Aye after her husband’s death then just disappeared out of existence.


We know that Tutankhamun was the King that brought back the old religion after the revolution of Akhenaton, who banned the worship of Amun in favor of the one god Aten (Atenism), which was represented by “the disk of the Sun”. This gained him instant popularity with the priests and the people, so he was a loved king! Contrary to what was concluded that he was buried in haste, clues have shown that the mummification process and burial took their due course.

For some reason when Horemheb came to power he deleted all evidence of existence of his predecessors Akhenaten, Neferneferuaten, Smenkhkare, Tutankhamun, and Aye who were erased from the official lists of Pharaohs which instead reported that Amenhotep III was immediately succeeded by Horemheb. This may have been a way for Horemheb to delete all trace of Atenism and of any pharaoh associated with it from historical record. Akhenaten’s name never appeared on any of the king lists compiled by later Pharaohs and it was not until the late 19th century that his identity was re-discovered and the surviving traces of his reign were unearthed by archaeologists.


Before Howard Carter discovered Tutankhamun’s intact tomb in 1922 the world had never heard of King Tutankhamun and the discovery led to a renewed public interest in ancient Egypt. Since then his burial mask has become synonymous with all of Egyptian history. But at the time of discovery Carter and his team basically dismantled the corpse while looking for amulets and other jewelry. The mummy’s head was removed and nearly every major joint severed, furthermore, many of its parts present at the original examination are now missing. But then if Carter hadn’t cut the mummy free from the hardened resin that cemented it fast in the wooden coffin, thieves would certainly ripped it apart to remove the gold.


Archaeology has significantly changed over the years, back then it was more important to discover and collect treasures, not paying enough or any attention to details of life and the intriguing mysteries of death, even if that meant leaving the antiquities badly damaged or in a critical state.

Since 1926, the mummy has been X-rayed three times: first in 1968 by a group from the University of Liverpool led by Dr. R. G. Harrison, then in 1978 by a group from the University of Michigan, and finally in 2005 a team of Egyptian scientists led by Secretary General of the Egyptian Supreme Council of Antiquities, Dr. Zahi Hawass, who conducted a CT scan on the mummy, acquiring 1,700 three dimensional images during the 15 minute scan.


The early X-rays raised alarms that the deceased was murdered. But did the young pharaoh die from a blow to the head? Well …..apparently not!! After the detailed CT scans taken recently King Tut died of natural causes. Although some Egyptologists and amateur sleuths have long speculated that a stealthy foe murdered Tut by attacking him from behind, the evidence is all circumstantial, with very little reason to believe that murder was the primary scenario.
So lets look at evidence just a tad-bit closer. Among claims that King Tut may have died of the Black Plague (which had appeared at the time), of lung disease, poison or even a brain tumor, the major allegation of a fatal blow to the back of the head have all proved futile.

The damage to the skull that raised cahoots has proven to be due to damage by the embalmers during the mummification process or carelessness of the Carter team. What was actually determined, though speculation, but the most agreed on, is the fact that there was a fracture found on the left leg of the mummy, which did not show evidence of healing, meaning that it was received just before death.


And again from what we learnt of his life painted on the walls of his burial chamber, like all Pharaohs, King Tutankhamun studied reading, writing, mathematics, geology, astronomy, a foreign language and for fun and relaxation he learnt, archery, wrestling and how to drive a chariot. But as it seems he had a deep infatuation with hunting, which may have been the root cause of his demise. Whatever caused the fractured thigh bone is likely to have also caused an open wound that was serious enough to cause an infection, fever and death. Although the break itself would not have been life-threatening, but gangrene caused by a badly broken leg was the most likely culprit. So was it a hunting accident that brought the end to a Dynasty of Kings? We may never know.


Many questions have yet to be answered about the life and death of the Boy-King, and may even remain a mystery buried under the sands of time like many still unsolved mysteries of the Valley of the Kings.

About the Author:
Gawhara Hanem
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The Mysterious Boy-King

Sunday, November 16th, 2008

Copyright © EgyptHasItAll.com

Was it a natural death or was he murdered? After almost 3,000 years and with very little evidence and so many conspiracy theories it’s hard to determine exactly how the boy-king died! 28 years ago after X-rays were taken of his mummy by the anatomy department of the University of Liverpool everyone was convinced that Tutankhamun died of unnatural causes, presumably a blow to the back of the head.


The main suspect was Aye, his vizier in conspiracy with Horemheb, the commander-in-chief of the army. Seeming to gain from the king’s death, Aye succeeded, ruling Egypt for 4 years before he died and was then succeeded by Horemheb. Both were powerful men who were present during the reign of King Tut. But they both would have had no reason to murder him since he was young and did not hold much authority and they were probably making the decisions any way. And as it happened, Tutankhamun had no enemies; he was loved by the priests and the population because he was the one to re-establish the religion of Amun-Re after the death of his heretic father Akhenaten, who outlawed it, replacing it with the monotheistic worship of Aten.


Tutankhamun belonged to the Eighteenth dynasty and ruled Egypt at a time of turbulence. Originally Tutankhaten, meaning the “Living Image of Aten”, was changed when he came to power to Tutankhamun, meaning the “Living Image of Amun”. Tutankhamun was the son of Akhenaten also known as Amenhotep ΙV, and his minor wife Queen Kiya. He came to reign at the age of 9 and at the age of 13 married Ankhesenamun, who was probably his half-sister, as it is recorded that Ankhesenamun as one of the six daughters of Akhenaten and Nefertiti. At the age of 19 the king died suddenly and was buried in a crammed tomb in the “Valley of the Kings”, now known as Al-Amarna. The Valley of the Kings was declared a World Heritage Site in 1927, it lies on the west bank just across the Nile from Thebes (modern Luxor), and is the valley where, for 500 years, tombs for kings of the New Kingdom were constructed.


KV62 (the tomb of Tutankhamun) was first discovered, by the British archaeologist Howard Carter in 1922, who came upon it by chance. The tomb remains the only royal Egyptian tomb discovered in modern times virtually intact. The rubble that concealed the tomb and its occupant protected it for over 30 centuries, preserving its treasures from grave robbers of antiquity who looted so many other tombs. His tomb was robbed at least twice in antiquity, but from the items taken (including perishable oils and perfumes) and the evidence of restoration of the tomb after the intrusions, it is clear that these robberies took place within several months at most of the initial burial.


The tomb of Tutankhamun consists of 3 chambers within which is crammed thousands of masterpieces of jewelry, furniture, and art objects. Over 5000 artifacts, the treasures included four nested boxes, or shrines, of gilded wood, then three mummy-shaped coffins (two gilded and one of solid gold) all inside a red quartzite sarcophagus. But the most significant finding was the mummy of King Tut himself, with a stunning mask of gold covering his head and shoulders. More so this was a first in modern history, the discovery of the mummy of an Egyptian king, lying intact in his original burial furniture.


To remove the jewelry and amulets from the body, Carter and his team had to cut up the mummy into various pieces: the arms and legs were detached, the torso cut in half and the head was severed. Hot knives were used to remove it from the golden mask to which it was cemented by hardened embalming resin. This had taken its toll on the mummy’s condition and is one of the reasons why it is difficult to conclude how Tutankhamun died exactly.


King Tutankhamun still rests in his tomb in the Valley of the Kings, in a temperature-controlled glass case. But his world tour “Tutankhamun and the Golden Age of the Pharaohs” back from London this August, is currently touring the U.S.A, starting this 15th of November it will be at the Atlanta Civic Center through to May of 2009. The exhibition is organized by National Geographic, Arts and Exhibitions International and AEG Exhibitions, with cooperation from the Egyptian Supreme Council of Antiquities. The tour’s proceeds will help raise money to preserve Egypt’s treasures, including the construction of the new Cairo museum (the GEM) which is expected to house 100,000 exhibits making it larger than the British Museum.

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Gawhara Hanem
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A Bit More Culture- Part Ι

Sunday, November 9th, 2008

Copyright © EgyptHasItAll.com

A tour in Cairo would probably include dinner on a boat floating smoothly down the Nile, the deep dark waters lite up, reflecting back the lights of Cairo by night. Sounds enchanting and mesmerizing, well it defiantly is. But on a trip like this that won’t be the only sight to spellbind you. The program would also include, among other things, a belly dancer and a tanoura dancer (an Egyptian folk dance derived from the Sufi religion) as entertainment.


And after a visit to the Pyramids, the Citadel and the enormous Egyptian Museum of Antiquity, you’ll probably go home impressed. But that’s just the tip of the ice berg. A people whose ancestors left behind a culture that has always captivated the world, and who over time have been exposed to a myriad of invasions by foreign cultures, must have more to show, and they do!

There are quiet a number of places with significant cultural importance, and an endless list of annual festivals and exhibitions, but we’ll only mention the most popular ones.


The Museum of Egyptian Antiquity displays 136,000 items with a couple of hundred thousand others in its basement store room, making it home to the most expensive collection of ancient Egyptian antiquities in the world. With the new Grand Egyptian Museum being built near the Pyramids area, many more of these stored items will finally be displayed and get the attention and glory they deserve.


The old Khedive Opera House or Royal Opera House was built in November 1, 1869 and burned down on October 28, 1971. Seventeen years later on October 10, 1988 the National Cultural Center (Cairo Opera House) was built with the help of the Japan International Co-operation Agency (JICA), making Egypt the soul country in the region with two opera houses built within one century. The Cairo Opera House has recently hosted concerts by the Smithsonian Jazz Orchestra, Michael Flatley’s Lord of the Dance and Bolshoi Theatre of the Republic of Belarus.


A not too known place of historical interest is The Cairo Geniza. The Geniza holds almost 200,000 Jewish manuscripts. These have been found at the Ben Ezra Synagogue (built in 882) in Fostat (now Old Cairo), the Basatin Cemetery east of Fostat and some were bought in Cairo in the late 19th century. These documents date back from 870 to 1880 AD.


Not to be missed are the beautiful gardens of Al Azhar Park. The sunset over the panoramic view of the old city of Cairo is an unforgettable site from one of its green hills. The park has running streams, waterfalls, restaurants, Islamic archways and lush landscaped gardens. Al Azhar Park is located near Darb Al-Ahmar district. It was a gift to Cairo from His Highness the Aga Khan, as his ancestors were the Fatimids who founded the city of Cairo in 969. During the development of the park parts of a 12th century Ayyubid wall was discovered, which has led to a major project for the restorations of several mosques, palaces and historic houses.


Erected on the same site as the ancient library, the Bibliotheca Alexandrina was inaugurated in October 2002. The main reading room is striking with its glass-paneled roof that resembles a sundial. The library has shelving space for eight million books, with the main reading room covering 70,000 m² on eleven cascading levels. The complex also houses a conference center; specialized libraries for the blind, for young people, and for children; three museums; four art galleries; a planetarium; and a manuscript restoration laboratory.


With the building of the Aswan Dam, the UNESCO attempted to salvage and recover many temples and reallocate them to higher grounds. A large quantity of artifacts was saves and was finally displayed at the beautiful Nubian Museum. The architecture of the Museum and the building walls were intended to evoke traditional Nubian village architecture, as it was along the Nubian Nile before the region was flooded by Lake Nasser.


As-Sawi Water Wheel (in arabic Saqiyet As-Sawi), is a popular cultural center. Located in Zamalek, the center hosts theatrical, musical and cinema performances, plastic art galleries, seminars and training courses. It has become a doorway to unknown artists finding a place on Cairo’s culture scene. Holding awareness campaigns (2008 being “The Year of the Minds”) it’s intent is to protect the freedom of thought and the freedom to enjoy culture.

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Marsa Alam, the Latest Spot on the Red Sea Riviera

Friday, November 7th, 2008

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Not a lot of people may have heard of this tranquil dream of a place, and only until recently, in 2001 when its International Airport was opened it was a small fishing village. Lately it has started to become yet another favorite holiday destination on the Red Sea Riviera.


Marsa Alam is located in the south of the Eastern Desert in Egypt on the Red Sea, 790 kilometers south of Cairo and about 300 kilometers from Hurgada. Marsa Alam stands at the crossroads between the Red Sea coast road and the road from Edfu which sits on the River Nile about 230km (142 miles) inland. This road, which was probably originally built by Ptolemy II in the Greek period, passes through some historic landscape where the ancient Egyptians mined much of their gold. During ancient times this road was not only used for the gold mining trade, but archeologists also believe that it was a main trading route linking the Nile valley and the Red Sea where an important ancient port was located. Evidence of this is the abundance of rock inscriptions, some depicting animals including giraffes and cattle, and hunting scenes, such as an ostrich hunt with dogs. Besides the gold mines, the area was mined for emeralds too. And at Khanais in Wadi Miya is a temple built by Seti Ι.

There is little in the town itself to attract tourists, the village is small with a bus terminus, two or three oriental cafes, a few grocery shops and some restaurants, a fuel station and a motel. Although now luxury tourist complexes are becoming a more familiar site along the stretch of coast from Port Ghalib in the north to the Wadi El Gemal National Park in the south.


Marsa Alam’s main allure lies in its long stretch of sugary white sands of unspoilt coast, dotted with straw parasols. It is a tropical heaven with its palm trees, mangroves and sea coasts fringed with barrier coral reefs. Its clear sapphire waters conceal a spectacular paradise for snorkelers and scuba divers where bright and colourful coral and sponge-covered walls plunge dramatically into its lucid depths. Marsa Alam’s unnaturally turquoise waters fulfil and exceed diver’s expectations.


The Elphinstone reef, famous for its hammerhead sharks is the most magnificent of the dives, offering a wealth of fish population, including, fusiliers, jacks, snapper groupers, wrasse, gray white tip sharks, barracuda, big Jacks, tuna and the occasional sea turtle and the mystical dugong. Elphinstone is for advanced diver and is the best place in the world to swim with the sharks!

Besides being home to a number of impressive wrecks, Marsa Alam holds another surprise. A horseshoe shaped reef, the shallow turquoise lagoon of Samadi Bay is the permanent home to a large herd of spinner dolphins. The probability of finding yourself snorkeling with the spinner dolphins is very common. Most of the diving sites are easily accessed by liveaboards.


Marsa Alam’s attractions extend beyond its waters into its vast desert and mountains. There are some wonderful nature treks, including some areas with very ancient rock carvings. The Bedouins provide safaris into the desert, with a stop at a Bedouin tent for a rest and a taste of Arabian tea and coffee. These desert safaris can be experienced on camel or horse back but you can even ride through the desert on a beach buggy.
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Gawhara Hanem
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In a Whirl of Color

Sunday, November 2nd, 2008

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The Tanoura Dance Troupe performed this week as they do every week, at the picturesque Al-Ghouri Mousoleum near Khan el Kalili bazaar. They perform twice a week on Wednesday and Saturday at 8:30 p.m. and the admission is free! So it’s hard to be disappointed since the experience is bewitchingly amazing.


The practice of Tanoura or Sufi whirling is a type of meditation that originated among Sufis over 700 years ago. The word “Tanoura” may refer to the dance, dancer, or the large skirt used in the performance.

Sufism is the spiritual tradition known to many Westerners through the mystical poetry of Rumi and Hafiz. Sufism is a mystical tradition dating back two millennia. It is generally understood to be the mystical dimension of Islam, and the practitioner of this tradition is known as Sufi or “Dervish.” The word is Persian in origin and literally means “the sill of the door”, but it is used by the Arabic and Turkish language to describe the Sufi, who is the one who is at the door to enlightenment.


Sufi Masters have developed a variety of practices to induce mystical states of consciousness. Jalaluddin Rumi, a thirteenth-century Persian Sufi and founder of the Mevlana Order, developed the ritual dance which consisted mostly of turning in place or spinning around a central point or pillar.

Mevlâna Jalâluddîn Rumi says, “All loves are a bridge to Divine love. Yet, those who have not had a taste of it do not know!”


The Egyptian Sufi dancing is different to the Mevlana Dervishes in Turkey. It is more colourful and with more people involved in the performance. The concept is built around the idea that the universe stems from the same point of rotation. Starting and ending at the same point, represented by the senior dancer, “Lafife” and symbolizes the Sun, while the junior dancers “Hanatia” are the constellation revolving around him. The whirling motion itself reflects the importance of circles in Sufi philosophy and cosmology, within which revolution is the fundamental state of all beings. The aim during this ritual is to desert “the nafs” or ego (or personal desires) and listening to their master and Sufi music, thinking about God and whirling on a spiritual journey to reach the “Kemal” (the perfect).

“For a dervish, there must be a purpose, a cause for existence, and inside the cause, a True Human Being.” Jelaluddin Rumi


The musical instruments used include rebaba (folk fiddle), ney (flute), mizmar (shawm), frame drums, sagat (cymbals), and tabla (doumbek drum). In the Sufi tradition the ney holds great significance as air has to be breathed in and out rather than blown into it, and that the wind passing through the flute is not just the breath of the player but the breath of God. So once the breath enters the journeyer (the dancer), he seeks union with God through the whirling movements. There is also the chanting of “thikr”, which is the repletion of “la illaha illa’llah” (there is no god but God). However, some Dervish may only repeat “Allah” because they believe man can die at any moment, and they want only the name of God on their lips and in their hearts.


The changes in music, body language, and facial expressions are intended to communicate. The tannoura contained a cohesive message, communicated sequentially over the course of the show. The dancers whirl continuously sometimes for up to 45 minutes straight, varying their pace to match the music, then stop and be completely fine. As they turn, they manipulate long skirts in a colorful display and executing skilled moves, such as throwing the skirts in the air, spinning the skirts at different levels and angles, even spinning the skirt over head and while lying down. When the dancer tilts at an angle where the right hand is raised up and the left almost touches the ground, it signifies a union of the heaven and earth.


It is a rare occurrence of religious ceremony transcending into performing art. But it is obviously more entertainment than religious ceremony. It is also claimed that the trance-like state that the Dervish goes into extends to the observing audience, so don’t feel surprised if you find yourself transfixed watching these well trained performers on their spiritual journey!

About the Author:
Gawhara Hanem
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